The Top 100 Works of Fiction
by Mr Plattes
24 January 2023
Any list of the ‘top’ 100 works of fiction is merely subjective. The contents of such a list depends on the tastes and erudition of its compiler.
To give you somewhat of an insight into my background, and thus my selections, by profession I am a keeper of a fine library and special collections devoted to the earth sciences. In my personal life, I am an avid reader and collector of, almost solely, works of fiction.
Do please rest assured, I make no claims for this list, it is merely but a list. I simply hope that you will enjoy perusing it. I adore all of the works included on it, & should it lead you to a work you’d not read before, I would be most gratified.
Some qualities of works of fiction, which I would personally appear to favour:
- Works that are seminal, reflected by their influence on past and current literature and culture (as an example of such, the works of Hammett sit near the top of its tree [hard-boiled detective/crime — a beast of a genre] — they pervade almost all in that vein), are preferred.
- Works that are desirable for bibliophiles tend to be rated highly. This is usually a sign of a great work — they, as a group, know what it is that they are sniffing around for acquisition. Should a stoush erupt at a sale room, and serious coin get thrown about, it will be over a most-worthwhile work. Critics do not set these prices — bibliophile-readers with deep pockets set these prices. For mine, the latter are far more erudite on the subject of ‘most-desirable’.
- Works in which the protagonists are not overly introspective (or at all) are preferred (mind, there are odd exceptions). Works that do not lecture its reader (including on such as political and social causes) with a heavy bat, ditto. Matters of the human condition (fear, hope, love, &c.), universals, on the other hand… I am there for those!
The list was to be ranked according to quality. However, the order of the works that I arrived at is but rough, broad… Given more time, I could refine the list further. As a result, do take the positioning of a work, as compared to other works on the list, with an absolute grain of salt. It means but little — they all clamour! Also, had the list covered more works (say, a top-200), I would have slotted certain works from the Supplementary List in at higher places than some I have included in the top 100.
These works will have been those by authors already included in the list, for example Dickens, Hammett, Chandler, Steinbeck, and Christie. But, for the sake of some of the other authors, I shifted those to the Supplementary List. Note, there is no order to the Supplementary List (and a good number of further works could be added to it). Note also, I have not read all that is held in high esteem by those peoples that produced it — I have tried to (I have read much…), and continue to do so, and so, there will be works that I would include on my list, which are waiting in the wings to be read.
Should you wish for me to elucidate as to why I have selected certain works, or excluded others, &c., do please feel free to send me a note. There will be some works which I will have overlooked (not too many, mind…) –- where, should you mention one to me, I would exclaim ‘Holy Schweppes, you are quite right!’
Rank | Year | Author | Title |
1 | -500 | Homer | The Iliad |
2 | -500 | Homer | The Odyssey |
3 | 1925 | F.Scott Fitzgerald | The Great Gatsby |
4 | 1280 | Njal’s Saga | |
5 | 1605 | Cervantes | Don Quixote |
6 | 1245 | Laxdaela Saga | |
7 | 1300 | Ehrbyggja’s Saga | |
8 | 1220 | Egil’s Saga | |
9 | -1200 | Gilgamesh. | |
10 | 700 | Beowulf | |
11 | 750 | One Thousand and One Nights. | |
12 | 1349 | Giovanni Boccaccio | The Decameron. |
13 | 1908 | Kenneth Grahame | The Wind in the Willows |
14 | 1968 | Mervyn Peake | The Gormenghast Trilogy – Titus Groan; Gormenghast; |
& Titus Alone | |||
15 | 1952 | Ernest Hemingway | The Old Man and the Sea |
16 | 1954 | William Golding | Lord of the Flies |
17 | 1959 | Gunter Grass | The Tin Drum |
18 | 1935 | Agatha Christie | Death in the Clouds |
19 | 1934 | Agatha Christie | Murder on the Orient Express |
20 | 1964 | Agatha Christie | A Carribean Mystery |
21 | 1929 | Dashiell Hammett | The Maltese Falcon |
22 | 1931 | Dashiell Hammett | The Glass Key |
23 | 1934 | Dashiell Hammett | The Thin Man |
24 | 1929 | Dashiell Hammett | The Drain Curse |
25 | 1852 | Charles Dickens | Bleak House |
26 | 1865 | Charles Dickens | Our Mutual Friend |
27 | 1870 | Charles Dickens | Edwin Drood |
28 | 1939 | Raymond Chandler | The Big Sleep |
29 | 1943 | Raymond Chandler | The Lady in the Lake |
30 | 1954 | Raymond Chandler | The Long Goodbye |
31 | 1932 | John Steinbeck | The Pastures of Heaven |
32 | 1938 | John Steinbeck | The Long Valley |
33 | 1945 | John Steinbeck | Cannery Row |
34 | 1954 | John Steinbeck | Sweet Thursday |
35 | 1937 | J.R.R. Tolkein | The Hobbit |
36 | 1840 | E.A. Poe | Tales of the Grotesque and Arabesque |
37 | 1841 | E.A. Poe | The Dupin tales – The Murders in the Rue Morgue; The Mystery |
of Marie Rogêt; & The Purloined Letter | |||
38 | 1913 | Henri Alain-Fournier | The Lost Estate |
39 | 1829 | Honoré de Balzac | La Comédie humaine |
40 | 1882 | Robert Louis Stevenson | Treasure Island |
41 | 1886 | Robert Louis Stevenson | Strange Case of Dr Jekyll and Mr Hyde |
42 | 1892 | G. Grossmith and W. Grossmith | Diary of a Nobody |
43 | 1961 | Giuseppe Tomasi di Lampedusa | The Professor and the Siren |
44 | 1888 | Oscar Wilde | The Happy Prince and Other Tales |
45 | 1981 | Gabriel García Márquez | Chronicle of a Death Foretold |
46 | 1967 | Gabriel García Márquez | One Hundred Years of Solitude |
47 | 1880 | Guy de Maupassant | Any compilation of his short stories |
48 | 1958 | Giuseppe Tomasi di Lampedusa | The Leopard |
49 | 1818 | Mary Shelley | Frankenstein; or, The Modern Prometheus |
50 | 1977 | Naghuib Mafhouz | The Harafish |
51 | 1945 | Ivo Andrić | The Bridge over the River Drina |
52 | 1934 | Halldór Laxness | Independent People |
53 | 1897 | Bram Stoker | Dracula |
54 | 1961 | Joseph Heller | Catch-22 |
55 | 1971 | Charles Bukowski | Post Office |
56 | 1817 | Jane Austen | Northhanger Abbey |
57 | 1813 | Jane Austen | Pride and Prejudice |
58 | 1960 | Italo Calvino | Our Ancestors –The Cloven Viscount; The Baron in the Trees; |
59 | The Nonexistent Knight | ||
60 | 1021 | Jaroslav Hašek | The Good Soldier Švejk |
61 | 1960 | Roald Dahl | Tales, inc. Kiss, Kiss |
62 | 1851 | Herman Melville | Moby-Dick |
63 | 1930 | Faulkner | As I Lay Dying |
64 | 1886 | Lev Nikolayevich Tolstoy | The Death of Ivan Ilyich |
65 | 1853 | Elizabeth Gaskell | Cranford |
66 | 1936 | George Orwell | Keep the Aspidistra Flying |
67 | 1945 | George Orwell | Animal Farm |
68 | 1949 | George Orwell | Nineteen Eighty-Four |
69 | 1898 | H. G. Wells | War of the Worlds |
70 | 1902 | Arthur Conan Doyle | The Hound of the Baskervilles |
71 | 1846 | Alexandre Dumas (père). | The Count of Monte Cristo |
72 | 1856 | Ivan Sergeyevich Turgenev | Shorter Fiction |
73 | 1894 | Rudyard Kipling | The Jungle Book |
74 | 1895 | H.G. Wells | The Time Machine |
75 | 1896 | H.G. Wells | The Island of Doctor Moreau |
76 | 1907 | Arthur Machen | The Hill of Dreams |
77 | 1894 | Arthur Machen | The Great God Pan which includes The Inmost Light; The Red Hand; |
The Three Impostors etc. | |||
78 | 1912 | William Hope Hodgson | The Night Land |
79 | 1907 | William Hope Hodgson | The Boats of the “Glen Carrig” |
80 | 1908 | William Hope Hodgson | The House on the Borderland |
81 | 1915 | Franz Kafka | The Metamorphosis |
82 | 1928 | Erich Maria Remarque | All Quiet on the Western Front |
83 | 1966 | Aleksandr Solzhenitsyn | Cancer Ward |
84 | 1981 | Ismail Kadare | Palace of Dreams |
85 | 1971 | Ismail Kadare | Chronicle in Stone |
86 | 1899 | Joseph Conrad | Heart of Darkness |
87 | 1901 | M. P. Shiel | The Purple Cloud |
88 | 1950 | Isaac Asimov. | I, Robot |
89 | 1981 | Piers Anthony | Bio of a Space Tyrant |
90 | 1759 | Voltaire | Candide |
91 | 1926 | A.A. Milne | When we were very Young; Winnie the Pooh; Now we are Six; |
& The House at Pooh Corner | |||
92 | 1965 | Frank Herbert | Dune |
93 | 1868 | Wilkie Collins | The Moonstone |
94 | 1996 | Stephen King | The Green Mile |
95 | 1895 | Robert W. Chambers | The King in Yellow |
96 | 1894 | Edogawa Rampo | Japanese Tales of Mystery and Imagination |
97 | 1957 | Naghuib Mafhouz | Cairo Trilogy – Palace Walk; Palace of Desire; & Sugar Street |
98 | 1903 | Jack London | The Call of the Wild |
99 | 1912 | Jack London | The Scarlet Plague |
100 | 1951 | Jean Giono | The Hussar on the Roof |
Supplemental List (not in an any order) | |||
1978 | Ismail Kadare | The Three-Arched Bridge | |
1980 | Ismail Kadare | Doruntine or The Ghost Rider | |
1893 | Arthur Conan Doyle | The Memoirs of Sherlock Holmes | |
1892 | Arthur Conan Doyle | The Adventurs of Sherlock Holmes | |
1980 | Umberto Eco | The Name of the Rose | |
1950 | Frederick Brown | Night of the Jabberwock | |
1963 | John Fowles | The Collector | |
1977 | Stephen R. Donaldson | The Chronicles of Thomas Covenant | |
1922 | F. Scott Fitzgerald | The Beautiful and Damned | |
1872 | Sheridan Le Fanu | In a Glass Darkly | |
1782 | Pierre Choderlos de Laclos | Dangerous Liaisons | |
1220 | The Quest of the Holy Grail | ||
1182 | Chrétien de Troyes | Perceval, the Story of the Grail | |
1485 | Thomas Malory | Le Morte d’Arthur | |
1826 | Mary Shelley | The Last Man | |
1863 | Jules Verne | Voyages Extraordinaires | |
1917 | Lev Nikolayevich Tolstoy | First Russian Reader: Tales | |
1865 | Charles Lutwidge Dodgson | Alice’s Adventures in Wonderland, & Through the Looking-Glass, | |
and What Alice Found There | |||
1838 | E.A. Poe | The Narrative of Arthur Gordon Pym of Nantucket | |
1890 | Oscar Wilde | The Picture of Dorian Gray | |
1862 | Ivan Sergeyevich Turgenev | Fathers and Sons | |
1808 | Johann Wolfgang von Goethe | Faust | |
1958 | Truman Capote | Breakfast at Tiffany’s | |
1889 | Jerome K. Jerome | Three Men in a Boat | |
1897 | Richard Marsh | The Beetle | |
1909 | William Hope Hodgson | The Ghost Pirates | |
1849 | Charles Dickens | David Copperfield | |
1843 | Charles Dickens | A Christmas Carol | |
1811 | Jane Austen | Sense and Sensibility | |
1937 | Agatha Christie | Death on the Nile | |
1953 | Agatha Christie | A Pocket Full of Rye | |
1957 | Agatha Christie | 4.50 from Paddington | |
1971 | Agatha Christie | Nemesis | |
1929 | Dashiell Hammett | Red Harvest | |
1940 | Raymond Chandler | Farewell, my Lovely | |
1942 | Raymond Chandler | The High Window | |
1949 | Raymond Chandler | The Little Sister | |
1933 | John Steinbeck | To a God Unknown | |
1937 | John Steinbeck | Of Mice and Men | |
1935 | John Steinbeck | Tortilla Flat | |
1957 | Nevil Shute | On the Beach | |
1848 | William Makepeace Thackeray | Vanity Fair | |
1885 | Émile Zola | Germinal | |
1931 | Georges Simenon | The Crime of Inspector Maigret | |
1970 | Helene Hanff | 84, Charing Cross Road | |
1934 | Ernest Claes | De Witte |
Postscript by David Archibald
I am privileged to know Mr Plattes, who graciously undertook to apply his considerable erudition to compiling this list. Once again it is a list that eschews self-improvement through suffering. Thus no Dostoyevsky, no matter how profound his insights into the human condition might be. Inexplicably there is also no Nabokov or J.D. Salinger, two of the most lyrical writers in the English language.
As a quality check, Mr Plattes’s list was compared to the New York Times list of the 100 best novels. There are only nine novels in common — testimony to the breadth and depth of this list.
Mr Plattes has invited comments and suggestions. To that end please email them to me at david.archibald@westnet.com.au