Modern social justice in all of its forms is communism. The political left doesn’t want to admit it openly, but there is no way around it and there is no debate. …
There is a classic playbook for communist sabotage of a target society, and one of the first tactics is always the destruction of that society’s history and symbols…. The communist system cannot gain dominance without two things — Rule at the barrel of a gun, and complete control over cultural products and information. … Competing ideas and interests are a danger to the collective. The existence of choice is like kryptonite to authoritarians. …
Today in the West:
When SJW communists and their corporate partners implant their insane ideologies into these [movie] franchises their goal is not just to propagandize the public, it is also to destroy something the public loves, to erase our history and our heroes piece by piece and take a little bit of our national soul away each time. …
The current social justice playbook in Hollywood has become so prevalent and mechanical since 2016 that it can be predicted down to specific plot points and character arcs. Almost everything these people make is the same.
One might note that SJWs rarely produce any original stories, and there is a good reason for this — they have no creativity or imagination. Leftist activists and corporate elites in the industry have openly admitted in the past that they prefer to reboot classic properties because they can exploit existing public love for an older movie or character. When they make something original with new characters the project always fails horribly and no one shows up to watch. When they reboot classic movies, they can use nostalgia to trick people into watching without thinking and implant their leftist brainwashing into the production. …
Amazon’s new Lord Of The Rings reboot:
The Hobbits were based on the happy natured culture of rural English villages that he experienced in his youth. The horrors he witnessed during his service in WWI and the Battle of Somme are obvious to see in the conflict between Sauron and the heroes of Middle Earth.
Interestingly, ever since Amazon purchased the partial rights to portions of the Lord Of The Rings in 2017, there has been an army of revisionist bloggers and media puppets trying to assert that Tolkien never intended his stories to be British or English in origin or relation. Clearly, the narrative is being adjusted so that Amazon can rationalize its diversity agenda within a story that was always meant to be set in a historically white country. Imagine if I went to Marvel and told them I want to reboot Black Panther but I think Wakanda needs less Africans and more whites and Asians? How well would that idea be received? …
The team of writers involved have very little previous work worth noting but they do have a predictable roster of social justice virtue signals and hot takes. They are pampered bubble babies; people that don’t have the life experiences needed to grasp the deeper concepts that an older wiser man like Tolkien was trying to address. …
It would appear that most of the LOTR fandom is in agreement as the trailer released this past week is being decimated by a flood of critical responses and the video has been ratioed into oblivion on YouTube. This was the exact reason why YouTube decided to remove the visibility of dislikes which can now only be seen with a special app; they want to protect the agenda by silencing dissent.
It’s not working.
As a long time enthusiast of film and popular media, I have to say that objectively and technically the trailer is terrible. It has to be one of the most boring trailers I have ever seen for an adventure based series, telling us absolutely nothing and building no emotional suspense. I have seen great trailers for very bad movies (the latest Matrix movie comes to mind), but Amazon’s only interest was to showcase the diversity hires within their new show, and that was it.
That said, one cannot overlook the communistic cancer wrapped around the arteries of this production. Every person involved and all the media coverage involved is steeped in social justice babble and made-up terminology.
Usually leftists in Hollywood use a specific formula for marketing films that hides the propaganda until the content is released. They post a trailer which obscures their intentions, and often even makes it look like the show will be close to the source material. Once they have you hooked and get your money, they stab your heroes through the heart and replace them with narcissistic facsimiles that any sane person would hate. This time Amazon has chosen to go full bore woke out of the gate and it’s not going well for them.
All of us already know exactly what will happen in the new series, we don’t even need to watch it to predict the outcome. Timelines are being compacted down to nothing so this gives Amazon leeway to sabotage popular characters by retconning the lore.
- The plot points will be oddly close to those in the Jackson films, but with a completely different set of characters and messages.
- All the male heroes will be replaced with the now tiresome trope of ‘Stronk Wahmen’ and Mary Sues that are good at everything despite having no backstory to justify their awesome-ness.
- Expect Galadriel to be the new Aragorn.
- Expect the female hobbit in the trailer to be the next Frodo but better than Frodo.
- Expect to see 90 pound women tossing around 200 pound men in poorly choreographed fight scenes.
- Expect the female characters to act and talk like men while abandoning all femininity (feminists hate femininity more than they hate masculinity).
- Expect modern SJW language and millennial language to be insinuated into dialogue in the most awkward places. Expect sexual innuendo or sexual scenarios that are out of place in a fantasy story.
- Expect meaningless LGBT representation that adds nothing to the plot.
- Expect weak and ineffectual male characters that make stupid decisions.
- Expect modern race baiting to be prevalent when it comes to black characters.
- Expect a perfect pie chart of ethnicities in almost every crowd scene.
- And, as always, expect the villains to be painted as “misunderstood” and only destructive because “society” caused them to turn to the dark side. In other words, it’s all society’s fault that Sauron becomes a bad guy. …
Anyone who needs to “see themselves” portrayed exactly in every film or show they watch in order to relate to the story is undoubtedly a narcissist. Relating to characters is about relating to the ideas and archetypes they symbolize; and if the lore of a story requires that those character be white, then this should not stop any normal black or brown person from embracing the ideals as long as those ideals are honest.
Peter Jackson is noted as saying that he had no interest in implanting his own issues into Tolkien’s stories. He was not interested in using them for his benefit, only in honoring Tolkien’s legacy. The stories are universal, which is why they have appealed to billions of people around the world for the past several decades. SJWs cannot fathom this. They demand that every single new media product contain their political message and represent today’s world of “inclusivity.” …
Today, the extreme left has invaded every facet of media and almost EVERYTHING we see and hear is designed to spread their cultism. Our entertainment is now a communist wasteland.
Luckily, the massive and aggressive backlash against Amazon among the Tolkien fandom gives me hope. It would seem Amazon messed with the wrong nerds. Never before have I witnessed such a unified response to an attempt by a major corporation to pervert a loved property.
This cultural blitzkrieg by Amazon might not go as well as they expect.