Okay White People, Break It Up, by David Cole.
In a season 3 episode of NYPD Blue, profoundly un-PC detective Andy Sipowicz (played by Dennis Franz) gives his son, a newly minted beat cop, a lesson in street patrol. Sipowicz points to a group of young black guys standing on a corner. He tells his son that the men, while not technically doing anything illegal, nevertheless have to be chased off, because a klatch like that can only mean trouble.
“Right now they own that corner,” Sipowicz says. “A good cop’s gonna take it back.”
And there, in that one scene, is an inadvertent depiction of what’s happening in America today. Leftists are Sipowicz, and they’ve decided that wherever and whenever “too many” whites gather, they gotta be run off.
How many times do we see the media slam a movie, a TV show, an editorial board, a slate of candidates, or a roomful of people merely for being “too white”? It’s simply taken for granted that anything deemed “too white” is bad and in need of dispersal. It’s not that the actions of the whites who gather are necessarily wrong; the people are wrong. They’re wrong for being white and “owning” a corner. …
Chasing white males off their corners has become so prevalent in America these days, white dudes are now willingly clearing themselves before they can be rousted. Kurt Sutter, creator of the wildly popular Sons of Anarchy TV show, announced last week that he’s giving up his latest creation, the Anarchy spin-off Mayans M.C., because he’s white. “It’s time for the white man to leave the building,” Sutter told the trades. He’s handing the show over to the “Latinx” members of his crew, so that they can imbue it with their “own emotional truth” as “people of color.” …
In the past month alone, we’ve seen portrait walls honoring famous physicians and scientists at Rockefeller University, Yale School of Medicine, Brigham and Women’s Hospital, and the University of Michigan attacked for being “too white” and “too male.” The Democratic Congressional Campaign Committee self-cleared its corner after accusations that its top staffers were “too white.” New York’s Commissar Bill de Blasio ordered a corner-clearing of employees of the city’s Department of Cultural Affairs-funded museums, theaters, zoos, and other institutions because there were “too many” white people in the mix. In California, the application period to join the state’s Citizens Redistricting Commission was extended because so far the applicants have been “too white” and “too male.” The staff newspaper at Notre Dame was attacked by “Latinx” student leaders for being “too white.” Craft beer was attacked for being “too white.” So were robots.
A disgruntled black techie even claimed that black Google employees are “too white”!
Check this out then read the truth below:
This week we got the first trailer for Amazon Studios’ major motion-picture release The Aeronauts. Here’s how The Hollywood Reporter describes this “based on a true story” film:
Set in 1862, the biographical film follows pilot Amelia Wren (Felicity Jones) and pioneering meteorologist James Glaisher (Eddie Redmayne) as they embark on a hot-air balloon journey to advance human knowledge of the weather and fly higher than anyone else in history.
“Biographical”? Well, 50% of the movie is. And 50% is pure bullshit. In that thing leftists hate called “real life,” meteorologist James Glaisher did indeed undertake the journey depicted. But the person who made the trip with him, the person responsible for creating and piloting the actual balloon, was not some comely Victorian aeronautrix. A white dude named Henry Coxwell (clearly a misogynist from the name alone) was the other guy in the basket, and it was Coxwell who saved Glaisher’s life at seven miles above sea level and –29C when the balloon ascended uncontrollably and Glaisher began to pass out. Above cloud level, at unprecedented heights, Coxwell, fighting to stay conscious, bravely climbed up the balloon’s rigging to release the blocked valve that was preventing descent. Oh, and he released it with his teeth while holding on for dear life with both hands. In the trailer, the chick is shown accomplishing this feat. Coxwell has been entirely erased from the story (much to the chagrin of the Royal Academy), and his heroic, lifesaving act has been redistributed to a woman who never existed.
And just for good measure, Amazon has added another fictional character to the “fact-based” film, a “person of color” whose genius is credited with “pushing” Glaisher “towards the stars.” So now the true story of two amazingly daring white dudes who defied death to advance human knowledge has become the Mod Squad. Why? Because the real story was (say it with me) “too white.”
“Inspired by true events”, but so very misleading. The same thing is being shouted from every part of our culture currently, anti-white, anti-male, etc. etc.