Reviewing the ever expanding list, the average movie watcher might be in for a shock at what films are actually included — there are the more predictable ones like Black Hawk Down, Zero Dark Thirty, and Lone Survivor; but also entirely unexpected ones that apparently needed the military-industrial complex’s propaganda touch like Earnest Saves Christmas, Karate Kid 2, The Silence of the Lambs, Twister, the Iron Man movies, and more recently Pitch Perfect 3.
When a Hollywood writer or producer approaches the Pentagon and asks for access to military assets to help make their film, they have to submit their script to the entertainment liaison offices for vetting. Ultimately, the man with the final say is Phil Strub, the Department of Defense’s (DOD) chief Hollywood liaison, who has been at the helm of this formerly semi-secret department going all the way back to 1989.
If there are characters, action or dialogue that the DOD doesn’t approve of then the film-maker has to make changes to accommodate the military’s demands. If they refuse then the Pentagon packs up its toys and goes home. To obtain full cooperation the producers have to sign contracts, called Production Assistance Agreements, which lock them into using a military-approved version of the script.