When Racism Is Fit to Print, by Andrew Sullivan.

Is the newest member of the New York Times editorial board, Sarah Jeong, a racist?

From one perspective — that commonly held by people outside the confines of the political left — she obviously is. A series of tweets from 2013 to 2015 reveal a vicious hatred of an entire group of people based only on their skin color. If that sounds harsh, let’s review a few, shall we? “White men are bullshit,” is one. A succinct vent, at least. But notice she’s not in any way attacking specific white men for some particular failing, just all white men for, well, existing. …

A little more disturbing is what you might call “eliminationist” rhetoric — language that wishes an entire race could be wiped off the face of the earth: “#cancelwhitepeople.” Or: “White people have stopped breeding. you’ll all go extinct soon. that was my plan all along.” … here’s another gem: “Dumbass fucking white people marking up the internet with their opinions like dogs pissing on fire hydrants.” Or you could describe an entire race as subhuman: “Are white people genetically disposed to burn faster in the sun, thus logically being only fit to live underground like groveling goblins.” …

But the alternative view — that of today’s political left — is that Jeong definitionally cannot be racist, because she’s both a woman and a racial minority. Racism against whites, in this neo-Marxist view, just “isn’t a thing” — just as misandry literally cannot exist at all. …

The editors of the Verge, where Jeong still works, described any assertion of racism in Jeong’s tweets as “dishonest and outrageous,” a function of bad faith and an attack on journalism itself. Scroll through left-Twitter and you find utter incredulity that demonizing white people could in any way be offensive. …

That’s why Jeong hasn’t apologized to the white people she denigrated or conceded that her tweets were racist. …

And I don’t think the New York Times should fire her — in part because they largely share her views on race, gender, and oppression. Their entire hiring and editorial process is based on them.